Vuelta a Uno
SYNOPSIS
Vuelta a Uno is a reencounter with that which is alive, with euphoria and pleasure, it is soil intoxicated by a thumping beat, a reminder that we are made from matter and breath, where the soul attempts to escape, rise, and become one with the universe once more. (…) In this third section of the trilogy, we gallop through all stages of pleasure, including compulsion, an urgency that the skin can barely sustain, and we plunge inexorably towards the destructive.
Vuelta a Uno contains a certain poetic realism, from which we contemplate this liberating trance through unceasing movement, through a constant donation, demonstrating the pain that also comes with the blurring of self, and the awakening of the blindest of our own impulses. We draw closer to climax, and everything within us that is infinite palpitates until it finds a way out. We are consumed by exaltation, because order can only mean exploding. The curtain that shields us from the profane falls irremediably, we abandon the earthly in order to return to the place we started, to a primordial state. We return to Uno.
ARTISTIC CREDITS
Original idea, artistic direction and choreography: Rocío Molina
Original composition: Yerai Cortés
Art direction: Julia Valencia
Scenic space: Antonio Serrano, Julia Valencia, Rocío Molina
Lighting design: Antonio Serrano
Sound design: Javier ÁLvarez
Costume design: Julia Valencia
Graphic design: Julia Valencia
Collaboration on sound design: Pablo Martín Jones
Costume making López de Santos
Shoes Rocío Molina: : Gallardo Dance
Belt: Elella del Toro
TEAM
Dance: Rocío Molina
Guitar: Yerai Cortés
Technical direction and lighting technician: Antonio Serrano
Sound: Javier Álvarez
Stage manager: María Agar Martínez
Executive direction: El Mandaito Producciones SL
Coproduction: Danza Molina SL & Teatro Español
In collaboration with
With the support of