THE TELEGRAPH – Crítica de Rocío Molina en Sadler´s Wells

The 28-year-old star embraces contradictions. The slo-mo stateliness of arms and torso seem divorced from the impatient rattle of her heels, and her mood can switch from mischief to murder in the space of a phrase. (…) Microphones are the bane of modern flamenco, but Molina’s final number exploits the technology to create an eerie soundscape of echoes, as if she were sharing the stage with the ghosts of all the dancers whose art she has absorbed – and reinvented.

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